Role: Editor

  • Why Norway is Too Rich for Their Own Good

    Why Norway is Too Rich for Their Own Good

    I edited a long-form video for 2 and 20 on YouTube that examines Norway’s wealth and its broader implications. As the project’s editor, I assembled the footage into a clear, focused narrative, shaping sequence length and transitions to keep complex information accessible to a broad audience.

    My responsibilities included sourcing additional footage to fill visual gaps, creating sound effects to underscore key moments, and designing the mix to improve dialogue clarity and atmosphere. I balanced levels, tightened pacing, and prepared the final export so the file was ready for upload and playback on YouTube.

    The finished video has attracted notable engagement on YouTube — roughly 469,983 views, 10,639 likes, and 1,212 comments — provided here as context for the edit’s reach. Throughout the project my focus remained on delivering a sonically coherent, visually consistent final cut that supported the client’s editorial goals.

  • Why Nepotism is Quietly Killing the Economy

    Why Nepotism is Quietly Killing the Economy

    I edited the YouTube feature Why Nepotism is Quietly Killing the Economy for client 2 and 20, turning interview and script footage into a coherent, audience-facing piece. The brief required a measured tone to present complex economic ideas, so the edit focused on clear sequencing and visual support for key points.

    My contributions included selecting and integrating archival and stock clips to illustrate arguments, creating and placing SFX to punctuate transitions, and refining the sound design so dialogue remained intelligible against a musical bed. Attention to pacing and cut timing kept the narrative momentum while preserving the episode’s explanatory detail.

    Final delivery included export masters optimized for YouTube. The video has since accumulated over 255,000 views with strong engagement (7,908 likes and 538 comments), which provided useful context for the edit’s reach and audience response.

  • How China Launched a New Industrial Revolution

    How China Launched a New Industrial Revolution

    I edited How China Launched a New Industrial Revolution for client 2 and 20, delivering a long-form documentary-style piece for YouTube. My focus was on shaping a clear, consistent narrative from the available footage while maintaining appropriate pacing across the runtime. Work stayed aligned with the client brief and platform constraints.

    The work I delivered included video editing, sourcing archival and supporting footage, adding SFX, and creating the sound design to enhance transitions and emphasis. Sound elements were balanced to support the story without overpowering narration, and SFX were timed to match visual cues. I prepared final exports with attention to YouTube encoding and the client’s delivery requirements.

    The finished video has attracted roughly 795,000 views, over 21,000 likes, and more than 2,300 comments on YouTube, giving a sense of audience engagement. I coordinated final deliverables for 2 and 20 and handed off upload-ready files. The project emphasized precise editorial execution and cohesive audio post-production to support the film’s argument and viewing experience.

  • Why Putin’s War Machine is Running Out of Gas

    Why Putin’s War Machine is Running Out of Gas

    I edited a long-form explainer titled Why Putin’s War Machine is Running Out of Gas for client 2 and 20, delivered for YouTube. My work covered the assembly of the narrative cut, placing sourced footage to clarify key points, and applying sound design and effects to enhance clarity and pace. The goal was to maintain a factual, measured tone while keeping the runtime focused and engaging.

    On the technical side I handled sourcing and matching archival and news clips to the script, layered SFX to support transitions, and refined dialogue and ambient audio to improve intelligibility. Sound design choices were driven by pacing needs–subtle reinforcement of beats, smoothing of audio inconsistencies, and clear moment-to-moment emphasis without distracting from the reporting. The final exports were prepared to client specs for YouTube upload.

    The finished video provided a polished, broadcast-ready package for 2 and 20’s YouTube audience and served as the delivered master for publishing. As a reference for reach, the video accumulated approximately 291,289 views and 7,277 likes on YouTube, which helps contextualize audience engagement. Throughout the project I coordinated closely with the production team to ensure the edit met editorial and technical expectations.

  • Why China Owns the Future

    Why China Owns the Future

    The project was a long-form documentary-style video produced for 2 and 20 and published on YouTube. The piece required careful assembly of interviews, narration and supporting visuals to present a coherent argument about China’s economic trajectory. Published on YouTube, the video has accumulated roughly 178,550 views with 5,468 likes and 844 comments, providing context for audience engagement without altering the scope of my work.

    My primary responsibilities were video editing, sourcing footage, adding SFX, and creating a balanced sound design. I organized raw assets into structured timelines, made editorial choices to tighten pacing, and blended sourced clips so they felt consistent with original material. Sound design and SFX were applied to support transitions and emphasize key moments, with attention to clarity for both desktop and mobile listening environments.

    For delivery I prepared the final exports to meet YouTube specifications and handed over a broadcast-ready master to the client. Throughout the process I coordinated closely with the producer to ensure edits matched the script and story arc, and iterated on feedback to refine timing and audio balance. The result was a polished, platform-ready video that supported the client’s creative goals and performed steadily on YouTube.

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    https://youtube.com/watch?v=-8mWkfNrUvA
    2 and 20
    178550
    12:42
    5
    2025-11-15
    I served as the editor on the YouTube feature Why China Owns the Future for client 2 and 20, responsible for the full post-production edit. My work included sourcing and integrating footage, designing SFX and sound design elements, refining cuts for narrative flow, and delivering the final export ready for YouTube. I focused on clean assembly and consistent audio-visual pacing to support the documentary’s argument and viewer engagement.
    End-to-end editing, SFX and sound design for a long-form YouTube documentary.
    Sourced and integrated archival footage to strengthen narrative continuity.
    Delivered a YouTube-ready master; the video has reached ~178K views and 5.4K likes.

  • Why Chaebols are Destroying South Korea

    Why Chaebols are Destroying South Korea

    This project was a long-form YouTube feature produced for 2 and 20. As the editor I assembled the piece from sourced footage, b-roll and editorial cuts, shaping pacing and structure to suit the platform. The finished video has attracted over 1.4 million views on YouTube, providing context for the audience response.

    My delivered work included detailed timeline editing, precise SFX placement, and full sound design to balance dialogue, effects and music. I also sourced archival and stock clips to fill visual gaps and improve continuity, then refined edits to maintain momentum across the runtime.

    For final delivery I prepared and exported broadcast-ready masters compliant with YouTube specifications and handed over media to the client for upload. The completed package met client requirements and performed strongly on the platform, reflected in its view and engagement metrics.

    MakeSure to update this
    https://youtube.com/watch?v=7FINP1CQgW0
    2 and 20
    1409444
    13:35
    5
    2025-06-16
    I served as the editor on Why Chaebols are Destroying South Korea for 2 and 20, delivering the final YouTube master. My role covered full video editing, sourcing footage and SFX, and designing the sound mix to support the story. I also handled the final export and delivered platform-ready files.
    Full edit, SFX and sound design for a long-form YouTube feature
    Sourced and integrated archival and stock footage to complete the narrative
    Final YouTube master has 1.4M+ views with strong engagement (35k likes, 3.5k comments)

  • Why South Korea is Doomed

    Why South Korea is Doomed

    This project was an editorial commission for 2 and 20 on their YouTube channel. The piece combined original and sourced footage to make a tightly edited narrative for an online audience; my role focused strictly on post-production rather than on scripting or research. I worked within the client’s brief to assemble the visual story and ensure continuity across sourced clips.

    Editing work included structuring scenes for pacing, trimming and layering sourced footage, and applying transitions that maintained narrative flow. I implemented SFX and sound-design elements to reinforce key moments and to balance dialogue with background audio. Throughout the process I organized assets and maintained versioned edits so feedback could be incorporated efficiently.

    For delivery I prepared final exports optimized for YouTube upload, addressing encoding, levels, and playback consistency across devices. The finished video has since accumulated over 131,000 views and several thousand likes and comments, which I include here as context for audience engagement. All deliverables were handed off to the 2 and 20 team to their specification.

  • Saudi Arabia’s $8 Trillion Disaster

    Saudi Arabia’s $8 Trillion Disaster

    This project was an editorial commission for 2 and 20, published on YouTube. As the dedicated editor, I assembled the picture cut, matched sourced footage to the narrative, and built the audio track to support the story. The goal was a clear, focused edit that worked for both web viewing and platform distribution.

    My work included sourcing archival and licensed footage, adding and timing SFX, and creating the finished sound mix to sit consistently under voiceover and music. I concentrated on rhythm and transitions so that sourced clips felt cohesive with original material, and I tuned the sound design to preserve dialogue clarity while enhancing impact.

    For delivery I prepared the final export to the client’s specifications and handed off a publish-ready master for YouTube. The uploaded video has accrued over 707,502 views, 14,980 likes, and thousands of comments–context that reflects audience engagement rather than defining the scope of my role. Throughout, I aimed to deliver a technically clean, narratively tight edit that met the client’s editorial objectives.


    MakeSure to update this
    https://youtube.com/watch?v=mVMRVNnOfHo
    2 and 20
    707502
    19:27
    10
    2025-05-17
    I served as the editor for ‘Saudi Arabia’s $8 Trillion Disaster,’ producing the final video for a YouTube release for 2 and 20. My responsibilities included video editing, sourcing footage, adding SFX, full sound design, and delivering the final export. I focused on pacing, seamless footage integration, and audio clarity to meet the editorial brief and publish-ready standards.
    Delivered end-to-end editorial and audio finishing.
    Sourced and integrated footage to reinforce the narrative.
    Finalized deliverable for YouTube; the video has 707K+ views and 14.9K likes.

  • Is the US Dollar Dead?

    Is the US Dollar Dead?

    I edited Is the US Dollar Dead? for 2 and 20, a long-form YouTube episode examining the dollar’s role in global markets. Working from interviews and narration, I organized the material into a clear, watchable structure aimed at audience comprehension and engagement. The edit balanced explanatory segments with interview footage to maintain steady pacing across the runtime.

    My responsibilities included detailed video editing, sourcing and integrating supporting footage, and applying SFX to emphasize transitions and key points. I handled sound design–leveling voices and adjusting ambient elements–to ensure clarity between dialogue and other audio elements. Those choices were aimed at keeping the episode rhythmically engaging while preserving informational accuracy.

    For delivery I provided the final export formatted for YouTube and performed final checks to ensure the edit and audio translated well on the platform. The uploaded video has since accumulated about 69.7k views, 1.7k likes, and 279 comments, which offered the client measurable audience feedback. Throughout the project I focused on execution details that support clear storytelling and reliable delivery for the client’s channel.